Melvin L. Butler

Assoc. Professor

Phone:
Address:
Frost North Studio Wing 1539 Corniche Avenue
Room 230
Coral Gables, Florida 33146

 
About

About Me

Quote

I am fascinated by how music becomes meaningful for people in various cultural and historical contexts. My research and writing lie at the crossroads of music, identity, and ritual, and I strive to tease out the many ways in which those who make music are also negotiating multiple forms of social, political, and spiritual power.”

Biography

Melvin L. Butler is an Associate Professor in the Department of Musicology at the FROST SCHOOL OF MUSIC. He specializes in music and religion in Haitian, Jamaican, and African American communities. Dr. Butler’s research explores the cultural politics of musical performance, national identity, and extraordinary experience. He also examines discourses of cultural authenticity and spiritual power that inflect congregational practice. At the heart of his scholarly work lies a critical reconsideration of how spiritually charged music making is embedded in processes of boundary crossing, identity formation, and social positioning throughout the African diaspora.

An acclaimed saxophonist, Dr. Butler has performed with Brian Blade and the Fellowship Band for over two decades. He is featured with this ensemble on several albums, including Brian Blade Fellowship (Blue Note 1998), Perceptual (Blue Note 2000), Season of Changes (Verve 2008), and the Grammy-nominated Landmarks (Verve 2014). He has worked with several other jazz artists as well, including Betty Carter, Joey DeFrancesco, Eric Essix, Christian McBride, Jimmy McGriff, Dr. Lonnie Smith, and Reuben Wilson. Dr. Butler has also toured the U.S., Europe, and the Caribbean with celebrated Haitian band Tabou Combo, with whom he recorded three albums—Why Not? (1997), 360 Degrees (1997), and Sans Limites (2000).

Dr. Butler served as Secretary of the International Association for the Study of Popular Music (U.S. Branch) from 2008 to 2010 and was also elected to the Board of Directors of the Haitian Studies Association from 2010 to 2013. In 2012 and 2013, he was a fellow-in-residence at Yale University’s Institute of Sacred Music. Prior to joining the Frost School of Music faculty, he taught at the University of Chicago and the University of Virginia.

Dr. Butler earned his Ph.D. in ethnomusicology from New York University, where he also received an M.A. in jazz studies. He also holds a bachelor’s degree in performance from Berklee College of Music.

Career

Honors & Acknowledgements

Professional Experience


Career Highlights

  • Published author and recording artist
  • Ethnographic field research on music, religion, and popular culture in Haitian, Jamaican, and African American communities
  • Tours and recordings with Brian Blade and the Fellowship Band and with Haitian ensemble Tabou Combo
  • Performances with numerous world-renowned jazz artists such as Betty Carter, Joey DeFrancesco, Eric Essix, Christian McBride, Jimmy McGriff, Dr. Lonnie Smith, and Reuben Wilson

Honors, Awards & Competitions

  • Ford Foundation Pre-Doctoral Fellowship
  • Fulbright IIE field research grant
  • Thurgood Marshall Dissertation Fellowship at Dartmouth College
  • Fellowship at Yale University’s Institute of Sacred Music
  • Grammy nomination for Landmarks (with Brian Blade and the Fellowship Band)

Publications

  • Claiming Haiti: Music and the Cultural Politics of Christian Worship. (Oxford University Press -- under contract)
  • “‘Se Pannkotis Nou Ye!’(‘We’re Pentecostal!’): Performing Pentecostal Faith in Haiti” The Oxford Handbook of Music and World Christianities, Editors: Suzel Reily and Jonathan Dueck (Oxford University Press)
  • “Djaz Diplomacy and the Cultural Politics of Musical Collaboration" Music and Diplomacy from the Early Modern Era to the Present, edited by Rebekah Ahrendt, Mark Ferraguto, and Damien Mahiet, Palgrave (Macmillan)
  • "The Weapons of Our Warfare: Music, Positionality, and Transcendence Among Haitian Pentecostals" Caribbean Studies. Vol. 36:2
  • "Thoughts on the Intersection of Race and Faith in the Study of Popular Music," Journal of Popular Music Studies, Vol. 19:1.

Recordings

  • Four albums with Brian Blade and the Fellowship Band -- Brian Blade Fellowship (1998), Perceptual (2000), Season of Changes (2008), and Landmarks (2014).
  • Three albums with Tabou Combo -- Why Not? (1997), 360 Degrees (1997), and Sans Limites (2000)